27 February 2015
Modscape was approached by the Australian Catholic University (ACU) to investigate a prefabricated modular solution to create additional learning spaces on its St Patrick’s campus in Melbourne.
Working closely with the University’s project manager Donald Cant Watts Corke, a detailed site analysis of several locations on campus was undertaken to determine the ultimate position for the project. The new addition was sited in a prominent location at the corner of Brunswick Street and Victoria Parade, Fitzroy on what was a vacant tramways lot. The space connects directly with St Mary of the Cross Square, ensuring the building is fully integrated into the campus whilst activating what was once a derelict site.
The C-shaped design made up of 46 modules includes external decking with both covered walkways and open-air breakout spaces that connect the learning spaces around the perimeter and optimise the northern orientation. The building utilises the bluestone plinth from a former tramways building to produce a connection to the site’s past, while the façade takes its inspiration from surrounding structures. A combination of Vitrabond and Colorbond produced a vertical rhythm along the streetscape. The building is completely integrated with ACU’s data, audio-visual and security systems and due to its location on a busy intersection of tramways and roads, it was acoustically designed to block out external noise.
The prefab project was completed in two stages. In stage one, 23 prefabricated modules were constructed in a total of 12 weeks. This first stage comprises 2,000 square metres of learning space. This was installed in only four nights between 1 and 4am to avoid disrupting the tram network. The second stage, another 23 modules installed on top of stage one, providing another 1,315 square metres of learning and office space. These modules were installed during the university holidays, this time in only 12 hours. Brunswick St was closed to traffic and buses replaced trams during this remarkably quick installation, again minimising disruption to the campus and surrounding infrastructure and attracting great curiosity among passers-by.
27 February 2015
Image via Archdaily
Italian illustrator Federico Babina has created this wonderful series of images which, as their name suggests, belong everywhere and “nowhere”.
Fusing classic retro-futuristic ideas of the modern world with glimpses of bygone fashions and design, the “parallel universe” invites us over for cocktails on impossibly elegant balconies in exotic dream-like locations. It’s difficult to see these pictures and not hanker for a martini while looking out over the Los Angeles, Tokyo or Milan skylines of imagined futures past.
The artist has created many other series of beautiful, whimsical illustrations with architecture and design themes. These tantalising dream-worlds remind us that architecture doesn’t always need to be built to be real in our minds.
27 February 2015
image via NGV
Scandinavian design has long been renowned for its functional qualities and truth to materials. From the 28th February, some of the finest works of modernist Scandinavian design from the National Gallery of Victoria’s collection will be on display at the Nordic Cool exhibition.
Leading designers from the 1920s to the 1960s are showcased, many of whom continue to influence design today in Scandinavia and around the world – Georg Jensen, Fritz Hansen and Marimekko, to name but a few. The exhibition explores the relationship between exquisite form and function across a range of design practices including ceramics, glass, silver, furniture, textiles and lighting.
Georg Jensen designer and earlier pioneer of functionalism in design, Henning Koppel, regarded his designs as sculptures: “I believe that any object first and foremost should be beautiful. To make a thing functional and practical is not as difficult as some may want you to believe. It is actually the easiest part”.
We love having the chance to see this area of the Gallery’s collection, and we follow that same design philosophy in all of our work. Modscape’s combination of prefabricated design technology and experience enables us to create prefabricated homes that are both beautiful and functional.
30 January 2015
This home makes a dramatic statement on a low-key street in the inner Melbourne suburb of Brunswick West.
Our clients had lived in an old house on the site for a number of years and found themselves at the point where they needed to either move or demolish and rebuild, as renovating the existing house was not feasible. They wanted a sustainable home that functioned efficiently for their young family – during the design development phase they were adamant that “everything has a place” – while also making an impact on the modest streetscape.
Our objective was to maximise the available envelope by positioning the house close to the front boundary of the site, taking full advantage of the northern aspect and garden space at the rear. The open-plan kitchen, dining and living areas on the ground floor look out across the back garden and a timber deck, sheltered by the cantilevered first floor module, provides generous indoor-outdoor space.
The first floor features the three bedrooms, bathroom and en-suite in a railroad layout, while a study and viewing platform occupies the top of the tower module and offers spectacular views of the city and surrounds.
The ground floor of this visually stunning element also serves as the entry portal and a storage area for toys and equipment. A great deal of time and detail went into designing the tower to add a touch of drama to the otherwise simple layout of the home. Its cantilevered steel-tread spiral staircase forms the spine of the house, integrating the three floors via a bright, ply-lined vertical hallway. The youngest members of the family have put the tower to use as an extra play area, complete with a homemade bucket and pulley system for the efficient distribution of toys across all three levels.
30 January 2015
image via architectureau © Peter Bennetts
The new home of the Melbourne School of Design at The University of Melbourne will welcome its first classes on March 2. Designed by Melbourne’s John Wardle Architects in collaboration with NADAAA from Boston, this spectacular addition to the University’s Parkville campus was designed as a “living, pedagogical building”, featuring exposed structural details and services to help students understand the resolution of complex design issues. One example is the library’s book stack located in the basement which has windows “looking out” on to the building’s footings and mechanical services. The construction process was also an educational experience as students attended exhibitions, tours and studios around the site. The future shapers of Australia’s built environment will be inspired in, and by, the spectacular three-level Hansen Yuncken studios suspended by cross-laminated timber in the four-storey atrium. The building has been awarded a 6 Star Green Star Design – Education Design v1 rating by the Green Building Council of Australia and is the first education facility to be awarded the maximum 10 Green Star innovation credits, demonstrating the Melbourne School of Design and the wider University’s commitment to sustainability. Modscape managing director Jan Gyrn is a graduate of The University of Melbourne’s faculty of Architecture, Building and Planning.
28 January 2015
“Everyone has a story about what home means to them. What’s yours?” That was the question the Art Centre’s ambitious Home public art project posed to the community groups earlier this month. Their responses were represented in the form of 7,000 individually decorated little houses exhibited in the “Big House”, situated on the Art Centre’s main lawn. The public were then invited to take one of the small houses from the exhibition, photograph it in its new destination and share their images on an online portal. The Modscape team became the proud temporary owner of house #185 and fell in love with this project for so many reasons. We love our little house for its bold colour palette, polka-dot large red ‘M’ façade and roof-mounted helicopter and plane – perfect for a clifftop location! We loved seeing all of the distinctive house designs and the process that went into creating them on the Home website. We loved following the journeys of the houses via the hashtag #homemelb – journeys just like our Modscape homes take all around Australia. And we loved reading people’s ideas about what home means to them, a concept we explore with our clients in detail as we help them create their ideal home. There are many ways to describe what home means to Modscape – innovative, sustainable, custom designed – but we couldn’t put it better than one young Home project participant: “Home is where my family is, where the heart is and where it is warm and safe”.
26 November 2014
Idyllically situated on the southern banks of the Yarra River in Melbourne’s Docklands, the Wharf’s Entrance residential development project is the final instalment of the comprehensive Yarra’s Edge community by Mirvac, offering luxury waterfront living inspired by international design and culture.
Modscape collaborated with Mirvac’s marketing, design and construction teams to deliver an iconic sales and marketing suite that will facilitate the sale of their residences, and encapsulate the look and feel of the development and the site’s wharfside heritage.
Unlike more traditional sales suite designs, the building demonstrates an ambitious architectural style through an ellipsoid-shaped modular form and a bespoke curtain wall glazing system that symbolises the wharf’s entrance and delivers unobstructed waterfront views.
Consisting of four modular quadrants delivering 210 sqm of space, the interior flows between open-plan zones dedicated to 3D display models, simulated kitchen and bathroom areas, a reception, a multimedia room, and staff amenities.
The building’s interior is finely detailed and well-considered, embracing the lifestyle of waterfront living. Metallic elements including a copper-clad media room and folded plate steel entrance are blended with a grey pallete of leather and stone that gives reference to the residential aesthetic, while the inclusion of recycled wharf timber in the reception desk and external landscape totems pays homage to the wharf and its riverfront surrounds.
25 November 2014
IMAGE VIA NUMEN/FOR USE
When was the last time you looked at a roll of sticky tape and imagined creative potential beyond its humble uses? The guys at Numen/For Use, a euro design collective, obviously saw something in that little roll of stickiness that most of us didn’t, and created Tape Paris — their latest installation that uses sticky tape as its structural basis. It took 12 pairs of hands, a ladder, and ten days to transform the Palais de Tokyo gallery into a biomorphic playground. Some 44km of sticky tape (yes, 44!) was used to create a labyrinth of gossamer-like inhabitable tunnels that precariously hang 6m above the gallery foyer. However, Tape Paris is anything but unstable, with the structure possessing enough tensile strength to support the weight of five humans at any one time. Once inside, visitors can navigate their way through a 50m stretch of tortuous passageways — lined with elastic film and flexing to interior movements while retaining its shape —as bemused onlookers play witness to the activity from below. According to the creators, Tape Paris delves into the murky territory of both physical and psychological interiority, thematising immersion, introspection and probing of the depths of self. It fuses architecture and sculpture into a corporeal concept that creates new meaning for dead overhead space. Curious folk might like to know that this is not the first time Numen/For Use has displayed its artistic tape flair. The team also produced a tape installation not that dissimilar in Federation Square in Melbourne a few years ago entitled, you guessed it, Tape Melbourne.
25 November 2014
As far as holy grails are concerned, The Design Files is to design junkies as Koko Black is to chocoholics. Named by The Times (UK) as one of the world’s Top 50 design blogs in 2009, TDF is dedicated to uncovering the freshest and most creative talent our country has to offer. Those who are familiar with TDF will probably be avid followers of its daily news and feature stories on all forms of Australian design. But for those who aren’t, The Design Files Open House is the perfect way to get a taste before design devotion unwittingly creeps up on you. This year’s Open House takes the event up a notch from previous years by being custom designed and built inside a 400 square metre Collingwood warehouse. It represents the ultimate Australian home, with the added bonus that everything is for sale and can be purchased on the spot. Over 70 Australian designers, artists and makers will be showcasing their wares — from furniture, homewares and lighting, to artwork, books and accessories. Whether you’re a designer, a curious wanderer, or a TDF fan, you’ll find something at The Design Files Open House to satisfy your creative streak. For event details including dates and location check out The Design Files Open House website.
14 November 2014
When visual imagination, intelligence and a hunger for all things architecture come together, it creates something of a design declaration, and Mark magazine is exactly that.
Established in 2005 as a spin-off to FRAME — an interior design magazine produced by the same Amsterdam-based publisher — Mark is a stark yet unapologetically contemporary architecture magazine by architects, featuring architects, for architects.
A regular fixture on the desks of the Modscape design team, each bi-monthly edition features over 200 pages of portraits, interviews, case studies and travel stories on the most unconventional, innovative and emerging architectural talent from around the world.
But it’s not just the overseas ‘starchitects’ that get all the hype, with many issues also featuring a bit of Australian home grown talent.
It’s been five years since the Black Saturday bushfires caused devastation in Victoria, and the upcoming #52 October/November 2014 issue of Mark looks back at what has been achieved by the Bushfires Home Service — an initiative for coordinating the efforts of volunteer architects who have offered help.
You don’t have to be an architect to appreciate the stunning photography and critically sophisticated articles that Mark has to offer. It’s an accessible magazine with a broad appeal that proves satisfying reading to anyone with an interest in architecture.